< SWITCH ME >

I put off writing about the last day of the ETC Spring Tour because I didn't want to do it. I knew it was going to be nostalgic and mushy, and it was going to confirm what has already happened – the tour is over and so is our time together in the Driving Jail. Until reaching that point of sobbing though, I'm going to take the Eastern European dignified-and-unmovable position and write about the full, productive day we had on the way to and in sunny Zagreb.

While on the bus, we gathered as we had gotten used to in the previous days, to discuss our future projects. As you might remember, a large part of the group decided to work together on an artistic project after being inspired by what we saw and talked about during our travels. Also, we had reached a point of frustration because of the packed, fast schedule that didn't fully allow us to absorb what we were going through and give something back to our wonderful hosts in the eight cities we visited. Therefore, we wrote a manifesto with the massive help of Ivor and agreed to think about concrete steps towards our goal.

Day six of the ETC Spring Tour found us working very hard on the way to Bratislava, Slovakia. After a fiery Monday, the members of our group made a commitment to each other to think about ways to work together and create an artistic product that is relevant to the issues we've been confronted with on the tour. Therefore, we gathered in the front of the bus and, for several hours, we thought and wrote down ideas and issues up for debate.

Despite our continuous exhaustion and being aware of the vagueness of our plans, we realised we needed to clarify the concept of "crisis in theatre" that we've been hearing so much about and pinpoint its symptoms – this way, we'd know what we're trying to solve. Secondly, we wanted to think about what issues are important to us individually – whether it's the transition from school to work, the outdated themes theatre addresses or the unequal representation of gender and ethnicity on European stages. We knew we wouldn't find the answers to every question we had on the tour, but we thought that we should take advantage of the time we had left on the bus to talk about the future. The matter on everyone's mind was "how do we go on?"

When we saw the programme of the theatre tour – the eight cities, seven days deal – we started thinking about a deadline when everyone would explode. Most of us thought day three was a sensible day to explode on as it was the hardest: the group attended two plays in two different countries (Germany and Switzerland). However, we turned out to be unexpectedly disciplined and the exhaustion only took over on day five. And even then, we managed to turn it into something creative and positive. Here's what happened.

On the way to Maribor (Slovenia), two of our travel buddies staged a short play on the bus. Anne, who is a playwright in Berlin, wrote the script and Gina, an actress from Romania, performed as one of the characters. The moment was particularly inspiring because it was the first time that a part of the group came together to create something after witnessing all the big talks and seeing all the different plays. The topic of the play was borders and how they influence people's lives – especially when borders separate a family. This is something quite common nowadays in Europe, with free movement enabling people to go from one place to the other. However, what does this do to the individual? How does it influence his/her ties to family and origins in general? This is one of the social realities that European theatre could and should address. Everyone on the bus felt quite strongly that the moment Anne and Gina created was one of the most relevant and debate-prompting of the whole tour. Everyone was also left speechless for a number of minutes as we thought about what we should do or say next.

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